The colours and patterns of the art of the Pacific Islands - spears and shields, carved canoe prows, feather capes or tortoisehell ornaments - have interested Western audiences since the voyages of Captain Cook and Bougainville. Oceanic art in particular, had an influence on the development of the European modernist movement, influencing artists such as Gauguin, Picasso, Giacometti and Kirchner. Until recently, the tendency in the West has been to view the art of Oceania as "primitive", mysterious, shrouded in taboo. Nicholas Thomas, in this survey, goes beyond this view to discover the meaning and significance of art for the people of the Pacific. While each region has certain art forms and practices that characterize it - the ancestral carvings of Maori and Sepik ceremonial houses; rituals of exchange and warfare in the Soloman Islands; body art in Polynesia; and women's art forms, such as barkcloth - Oceanic art as a whole is continually being shaped by cross-cultural stimuli within the Pacific and beyond, combining local motifs and materials with new styles and techniques. The illustrations cover the works that evoke the most deep-rooted customs to those which address contemporary political issues.