Decoding the Bayeux Tapestry (ePub)
The Secrets of History's Most Famous Embroidery Hidden in Plain Sight
File Size: 12.1 MB (.epub)
Pages: 175
ISBN: 9781526741110
Published: 7th May 2019
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| Decoding the Bayeux Tapestry Hardback Add to Basket | £25.00 |
The story of the Norman Conquest and the Battle of Hastings as shown in the Bayeux Tapestry is arguably the most widely-known in the entire panoply of English history, and over the last 200 years there have been hundreds of books portraying the Tapestry and seeking to analyse its meanings. Yet, there is one aspect of the embroidery that has been virtually ignored or dismissed as unimportant by historians – the details in the margins.
Yet the fables shown in the margins are not just part of a decorative ribbon, neither are they discontinuous, but in fact follow-on in sequence. When this is understood, it becomes clear that they must relate in some way to the action shown on the body of the Tapestry. After careful examination, it has become clear that the purpose of these images is to amplify, elaborate or explain the main story.
In this ground-breaking study, Arthur Wright reveals for the first time the significance of the images in the margins. This has meant that it is possible to see the ‘whole’ story as never before, enabling a more complete picture of the Bayeux Tapestry to be constructed. This, in turn, has led to the author re-examining many of the scenes in the main body of the work, showing that a number of the basic assumptions, so often taught as facts, have been based on nothing more than reasoned conjecture.
It might be thought that after so much has been written about the Bayeux Tapestry there was nothing more to be said, but Decoding the Bayeux Tapestry shows us just how much there is still to be learnt.
Decoding the Bayeux Tapestry: The Secrets of History’s Most Famous Embroidery Hidden in Plain Sight by Arthur C. Wright is a wonderful, engaging study of this most famous of embroideries, retelling the Norman Invasion in stunning, colourful needlework. Arthur C. Wright studies every aspect of the Tapestry, from the beasts in the margins to the story being played out in dramatic detail in the main part of the Tapestry. The author demonstrates how the images in the tapestry, even the animals and mystical creatures in the margin, serve to tell the story of the tapestry and the Norman Conquest.
HISTORY… THE INTERESTING BITS!
An entertaining read and thoughtful study of the most famous of tapestries Decoding the Bayeux Tapestry is an illuminating work, beautifully illustrated along the way with images from the famous needlework.
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Fascinating really. You never consider who they got there, just that they showed up.
Medieval Sword School, Jason Hulott
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As featured by
Museum Collection, Christmas 2019
This tapestry style is most familiar to me by way of the art used in the film Bedknobs & Broomsticks, and (unbeknownst to me) depicts animals, creatures, pageantry of war, and changes between royalty and leadership while using illustrations and tapestry as a communicative written language. To interpret it, there's a use of newer-age maps to describe troop movement and offers explanations of history’s aftermath. Wright asks a lot of rhetorical questions to readers equal to the amount they ask of the tapestry, though they use an open, down to earth interpretation, almost like an open-ended monologue with a reader.
GoodReads, Kristine Fisher
... an interesting and fresh look at a pivotal event in English history.
The Armourer, September 2019
I’m still pleased to have had the opportunity to learn a little bit more about the Bayeux Tapestry, though, and to have been made aware that those medieval embroiderers were perhaps telling us more than meets the eye.
NetGalley, Helen Skinner
Rating: 5 out of 5 stars
NetGalley, Nureeni Lem
Invites you to think, research and learn.
If your interest is deeply focused on this subject, then this book will definitely be of interest.
Melisende's Library
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I believe that this text is essential for those who want to discover something about a work on which they believe they know everything. I had read some books on the subject and living in southern Italy I find around me continuous traces of those fantastic men who were the Normans. But with regard to the tapestry, the misunderstanding has often been to consider the natives as an inferior race compared to the Norman supermen who subjugated them. This was not the case and even in this book Wright explains why. The Bayeux Tapestry and the Domesday Book are works that owe much to the organization and thought of the Anglo-Saxon people. This book is a must for anyone who wants to look at things from another perspective.
Old Barbed Wire Blog
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I love history books which are written in an engaging style and which open up new ideas about past events. That's exactly what I got in this new tome, Decoding The Bayeux Tapestry by Arthur C Wright... If only all history books could inspire me like this.
NetGalley, Stephanie Jane
The book is produced to a high standard and the quality of reproduction is good...I did learn many things from this book and the variety of topics covered in addition to the Tapestry itself provided some context.
NetGalley, Peter Burnett
A well researched, entertaining and interesting book that can be read as a novel.
NetGalley, Anna Maria Giacomasso
It's full of interesting explanations and gives you a clear idea of the Tapestry.
Recommended!
About Arthur C Wright
Born in North Staffordshire, ARTHUR WRIGHT has spent most of his life in Essex and for thirty years he was a museum curator, ultimately responsible for four museums. A military historian by training, the scope of his professional responsibilities encouraged him to focus on social history. Two of the museum buildings being medieval, he was drawn into this period and then developed a forty-year obsession with the Domesday Book, finding that there was no mathematically demonstrable solution to its cryptic statistics in any published work. Wrestling with the logic and arithmetic he deduced it was possible to decode its contents, eventually publishing his research. He is also a ‘living history’ educator and craftsman with a wide range of manual and traditional skills.
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